{"id":9434,"date":"2016-01-08T15:38:53","date_gmt":"2016-01-08T20:38:53","guid":{"rendered":"https:\/\/www.hardwoodandhollywood.com\/pop-culture-spin\/?p=9434"},"modified":"2016-03-07T15:18:16","modified_gmt":"2016-03-07T20:18:16","slug":"top-comic-book-adaptations-no-21-ant-man","status":"publish","type":"post","link":"https:\/\/www.hardwoodandhollywood.com\/pop-culture-spin\/2016\/01\/08\/top-comic-book-adaptations-no-21-ant-man\/","title":{"rendered":"Top Comic Book Adaptations: No. 21 – Ant-Man"},"content":{"rendered":"

\"ant-man\"<\/a>The neverending debate, Marvel versus DC, seems to always be boiled down in its simplest form to an argument of light-hearted fun versus dark and brooding gloom. Peyton Reed\u2019s <\/span>Ant-Man <\/span><\/i>was a huge chip in that pile, doubling down on the belief that Marvel movies are more fun by being one of the most easily enjoyable adaptations to ever hit the screen.<\/span><\/p>\n

As a huge fan of his, I hope Edgar Wright (<\/span>Shaun of the Dead<\/span><\/i>, <\/span>Hot Fuzz<\/span><\/i>) enjoyed the film despite distancing himself from it during production. He is still credited as the top screenwriter and when I first heard his name attached to the project I immediately though it had a chance to be the funniest superhero movie ever. And it may have achieved that goal even with his departure.<\/span><\/p>\n

Paul Rudd was his usual charming and subdued yet hilarious self in the titular role. Michael Douglas triumphantly returned to making movies that people see and it was nice to have essentially the wise and quirky, serious yet funny, old professor from <\/span>Wonder Boys <\/span><\/i>back.<\/span><\/p>\n

Rudd and Douglas carry the core of the plot but Evangeline Lilly and Michael Pena steal the show and give the film its heart. <\/span><\/p>\n

Serving as much more than a foil who eventually falls in love with the hero, Lilly\u2019s Hope van Dyne who (spoilers!) slowly uncovers her family\u2019s history, revealing that this movie is not just the origin of Ant-Man but of The Wasp as well. Holding this card to the end of the flick was a brilliant stroke and had me ready for the next installment in this storyline before the credits even rolled. More badass female superheroes in the MCU, please!<\/span><\/p>\n

Pena was so good that I felt guilty – nay, ashamed – for not knowing more about him. I don\u2019t know if this is a failure of Hollywood or of me, but I need more of him in my life, especially in these kinds of roles. When he left the scenery of <\/span>Ant-Man<\/span><\/i>, it was like watching a family member you love drive away after the holidays. Come back, Michael Pena, and tell that story for another 15 minutes.<\/span><\/p>\n

The clever editing that accompanies Pena\u2019s scenes are just indicative of the way <\/span>Ant-Man<\/span><\/i> is creative not just aesthetically but thematically as well.<\/span><\/p>\n

Ant-Man<\/span><\/i> works so well because it is a combination of all the best aspects of Stan Lee comic books from the 70s to the 90s. It\u2019s colorful, imaginative, quirky, clever, funny, adventurous, and still ultimately is a story about a father and his daughter that is inspirational.<\/span><\/p>\n

That’s not to say the film is bereft of more mature or complicated themes. The abuse of corporate and military power is personified magnificently by Corey Stoll’s Darren Cross. By the time Cross finally becomes (spoilers!) Yellowjacket, the film is in stride as the perfect mix of striking visuals, levity, and heart.
\n
\n<\/em>When Scott Lang (spoilers, spoilers, spoilers!) risks disappearing forever into a subatomic realm in order to save his daughter – who he was just getting to know – my heart sank, rose, sang, and cried all at the same time.<\/p>\n

It takes truly the most hardened of cynics or an infantile inability to get over how silly the name sounds to not enjoy the wonder that is Ant-Man<\/em>.<\/p>\n

Complete 35-part list for best comic book adaptations ever!<\/p>\n

Part 1 – Daredevil<\/a> \/ Part 2 – The Dark Knight<\/a> \/ Part 3 – V for Vendetta<\/a>
\nPart 4 – The Flash<\/a> \/ Part 5 – Sin City<\/a> \/ Part 6 – The Crow<\/a>
\nPart 7 – Agent Carter<\/a> \/ Part 8 – X-Men: Days of Future Past<\/a> \/ Part 9 – Captain America: The Winter Soldier<\/a>
\nPart 10 – Guardians of the Galaxy<\/a> \/ Part 11 – X2: X-Men United<\/a> \/ Part 12 – Iron Man<\/a>
\nPart 13 – The Avengers<\/a> \/ Part 14 – Teenage Mutant Ninja Turtles (1990)<\/a> \/ Part 15 – Superman (Richard Donner)<\/a>
\nPart 16 – Hellboy<\/a> \/ Part 17 – The Incredible Hulk<\/a> \/ Part 18 – X-Men: First Class<\/a>
\nPart 19 – Spider-Man 2 (Sam Raimi)<\/a> \/ Part 20 – Thor<\/a> \/ Part 21 – Ant-Man<\/a>
\nPart 22 – The Dark Knight Rises<\/a> \/ Part 23 – Spawn<\/a> \/ Part 24 – Agents of S.H.I.E.L.D. – Season Two<\/a>
\nPart 25 – Avengers: Age of Ultron<\/a> \/ Part 26 – Batman Begins (Christopher Nolan)<\/a> \/ Part 27 – Captain America: The First Avengers<\/a>
\nPart 28 – Batman (Tim Burton)<\/a> \/ Part 29 – X-Men (Bryan Singer)<\/a> \/ Part 30 – Spider-Man (Sam Raimi)<\/a>
\nPart 31 – Smallville: Season One<\/a> \/ Part 32 – Hellboy II: The Golden Army<\/a> \/ Part 33 – Teenage Mutant Ninja Turtles 2, 3<\/a>
\nPart 34 – 300<\/a> \/ Part 35 – Man of Steel<\/a>\u00a0\/ Extra Part – Final Thoughts<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The neverending debate, Marvel versus DC, seems to always be boiled down in its simplest form to an argument of light-hearted fun versus dark and brooding gloom. Peyton Reed\u2019s Ant-Man was a huge chip in that pile, doubling down on the belief that Marvel movies are more fun by being one of the most easily<\/p>\n

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